In the
1940’s there were two writers by the names of Theodore Adorno and Max
HorkHiemer. In their work they criticized the aims of the Enlightenment. They
also made claims about the principles about the Enlightenment. One of their
claims was “The Enlightenment disenchanted us from the world.” In this
statement and many of their statements, I think it has merit. Depending on the
circumstances. Overall I don’t know these writers but I agree with the
statement that ‘The Enlightenment’ has disenchanted us from the world. I think
that the time period was a time of exploring and engaging in the ideas that are
out of the norm. This period of time was a chance for those people who weren’t
the in “classic” frame to come out and experience a whole knew life and perspective.
In a way, I think that there is value to myths and being enchanted. I think
that it’s a way that people can communicate with the upper world/ lower worlds
or heaven/hell. Yes, it may be irrational but I also think that these people
didn’t know how to handle these enchanted people and they didn’t know how to
react. So I think this period was a switch over to being more accepting and
inviting to ‘not normal’ people. I also think that the ‘rule of reason’ can rob
your life. If someone is constantly worrying and wondering and trying to reason
everything, that they lose their life. The reasoning gets in the way of life
experiences. Life experiences are how people gain knowledge and understand who
they are. So if someone is reasoning through everything then do they really
experience their lives? Do they know who they are? I don’t think they can
without those crucial life lessons. We learn by what we do and we understand
ourselves better through our mistakes so why waste our lives reasoning and
wondering ‘if’. Lets just do and become people we are meant to be through our
experiences.
Sunday, November 17, 2013
Thursday, November 7, 2013
Baroque Art
I
think our society is definitely more baroque. In class we talked about what
baroque was and came up with a list. Some thing
on that list were “because I can”, a contrast between light and dark,
“out of the ordinary”, and such. Our society is based off of that. Everywhere
we look people are rebelling and doing things “because they can”. If you
compared it to someone hair, the renaissance person would have a clean cut
“normal” look. The baroque person would have blonde, black, and red hair, with
a different style than anyone has ever seen before. We see this throughout our
society.
Our
society revolves around people being themselves and allowing themselves to be
who they want to be. That is what our country is focused on. I think this
relates to Baroque Art because at the time they were rebelling against the
“norm”. If you look icons in the media,
they do anything they can to be out of the ordinary and abnormal. Miley Cyrus
just recently had an evolution and at the Baroque time the artists were being
criticized by other artists and spectators. This is happening to Miley Cyrus as
well. This is just an example of the comparisons of time periods with being or
becoming Baroque. In music we see this as well. Artists are coming out with songs that are not normal.
We can even relate Baroque Art to Science in our days. Scientists are constantly coming out with new medicines and new procedures. Cancer Research, Genetic changes, and much more can be considered rebellion and "out of the ordinary.
Friday, November 1, 2013
Platonic Love
The
painting called “Primavera” is a representation of platonic love in many
different ways. One of the ways platonic love is defined by Ben Jonson, an
artist of that time, is “A spiritual coupling of two souls/ so much more
excellent as it relates unto the body.” As our reading goes on to say that our
soul is long lasting and could have a platonic relationship with the object our
body would find after we die. This painting is a representation of platonic
love because of the coupling of souls throughout the painting. On the far right of the painting Zephyrus, god
of the west wind, tries to grab Chloris, the nymph of spring. In a way, I think
this shows the coupling of seasons. It shows that the west winds or fall is
grabbing onto spring, trying to reach it to pull the spring season into fall.
In another comparison, Flora (the goddess of flowers) is standing next the
Chloris. I find this interesting because spring is almost always associated
with flowers because it is a time of things to bloom and colors to be added to
a winter world. These are different ways that things are coupled together with
platonic love.
In this
painting there are many angles. Whether it is a goddess reaching for a branch
or one goddess reaching for another, it shows and demonstrates the science and
math that can be categorized with renaissance art. Another generalization that
can be connected is the highly symbolic rule. I think that each goddess was
place where they are for a reason. Many comparisons can be made about this
painting. Zephyrus is placed next to Chloris and I think this could be symbolic
of winds bring season changes to the world.
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